Warp Speed to Nonsense

Warp Speed to Nonsense

Monday, August 3, 2015

ST:TAS Season One, Episode Nine: Once Upon a Planet

"Once Upon a Planet"
Air Order: 9
Star Date:
Original Air Date: November 3, 1973

I was hanging out my friends' house this week, and they realized that they had very little room left on their DVR and needed to delete some things.
"I have like, six episodes of Pokemon on here," said their ten-year-old. "You can get rid of those. They're so cheesy that I can only watch one or two at a time before I have to walk away."
And I snort-laughed into my drink, because I can totally relate to that.

*******



Kirk's Log 5591.2: "Time for some shore leave, so we're going back to the shore leave planet from that one episode. I think it was called "Time Off"? Something like that."

It seems to take us forever to get to any action in this episode, because Kirk takes a long-ass time to make his log entry, and all we get are shots of the ship during his voice-over. Then we get another very long shot of the shore leave planet's landscape, and while I'm annoyed that we're just running out the clock on this episode, the backgrounds here are stunning. It looks like an Albert Bierstadt painting.
Also, check it out: an away team that does not contain Kirk! Already this episode shows promise.
So Sulu, Bones and Uhura have beamed down to set things up with the Keeper, the guy who runs the place. They note that the planet seems to be exactly as they left it all those years ago, and that this is the spot where they beamed down last time. They're completely ignoring the fact that last time, they beamed down next to a lake, but I guess we can shrug that off. Sulu and Bones laugh about how previously, Bones had conjured a White Rabbit because he had been thinking about Alice in Wonderland.
Of course a harried White Rabbit hops by, complaining about the time. Alice follows, asking about it. Uhura points her in the right direction. They tried to give Alice a bit of a fudged English accent here to cover up the fact that Nichelle is pretty much talking to herself.


Our away team drops a bit of exposition here for anyone viewing now that didn't see the original "Shore Leave" episode: none of the figures are real, they're just highly-realistic robots created by the planet. When you think of something, the planet detects it, and creates stand-ins that think and act like the thing you were thinking about. This can sometimes create issues, though, as the computer will duplicate anything negative as well. Last time, crew members were chased by WWII bombers and loose tigers, and Bones was run through by a knight on a horse.

In the next scene, Uhura is sitting by the water's edge, humming to herself. It's a nice shot, even if her insignia badge, rank stripes, and the remaining landscape are missing from the reflection.


Overlaid with the sound of Uhura humming are shots of Sulu taking a relaxing walk through the woods, and Bones showing up at like, Twelve Oaks or something.


He's clearly wondering if he can talk Mammy into letting him wear that green and white dress to the Wilkes' picnic, when the Queen of Hearts and two playing cards appear, shouting "Off with his head!" This Queen of Hearts has a distinctly Tenniel look to her, so it's either an iconic reference, or someone on the animation crew was a fan.


"The fuck?" he asks, and one of the cards throws one of those long-handled axes at him.
It sticks in a tree near his head, and as he runs away, we see that both of the cards are still carrying their axes. I'm gonna call animation fuck-up on that rather than say the magical planet conjured another weapon.
So Bones is running across the open landscape, and he calls for an emergency beam-up. Uhura hears it on her comm, and calls the transporter room to find out what the emergency might be, but some floaty robot thing takes the comm from her hand.


Upstairs, Bones and Sulu have been beamed aboard and are now on the bridge talking to Kirk. Bones says that it was exactly like before, even with Alice and the White Rabbit, only this time there were playing cards that tried to put an axe through his head.
Spock notes that the Queen of Hearts was a character from Through the Looking Glass. (He's technically thinking of Alice's Adventures in Wonderland, but I'll give him credit for at least getting the franchise right.)
"How the hell do you know the Alice stories?" asks Kirk. "Like, I read those as a kid, but they're pretty human."
"Bitch, I'm half-human," Spock reminds him. "My mom was into Lewis Carroll."
Oh my fuck. 
Oh my fucking fuck.
Imagine Amanda reading Lewis Carroll stories to little Spock at night. Sarek approves of these fantasy novels because they include logic, as well as discussions of strategies for chess and card games. The comparisons of logic versus fantasy are discussed at the dinner table, along with the fact that Carroll was a mathematician who taught at Oxford, leading young Spock to take up first regular chess, and then the 3-D version. They probably had copies of Carroll's logic puzzle books as well, which Sarek encouraged as an appropriate way for Spock to explore his dual heritage.

THIS IS MY NEW FAVORITE STAR TREK HEADCANON.


Unfortunately, that one line about Amanda being into Lewis Carroll is the best part of this episode. The rest of it is kind of meh, but you didn't come here to read about me fangirling over the literature studied in Sarek's household, so we'll just get back to the Meh, okay? Okay.

So Bones says that he wasn't thinking about Alice in Wonderland at all when the Queen of Hearts showed up. Sulu says nothing weird happened to him on the surface.
Scotty calls to say that he lost his lock on Uhura, and can't beam her up. Kirk tells him to keep trying to hail her, and to beam up anyone else who has gone down to the surface.
Spock does a scan and determines that she's not where they last recorded her.
Kirk asks if they encountered the Keeper at all, the dude who runs the shore leave planet. But Bones and Sulu say no. Kirk wonders if he was underground when they showed up, because he has quarters and an infirmary underground. Both boys shrug. They have no idea where to find this underground chamber. Which is weird, because when he was "killed" by the knight in that earlier episode, Bones was taken to the infirmary and healed, then showed up again at the end of the episode with a bunch of explanations about how the place worked. Logically, Bones should know how to find the entrance to the underground chamber, and also know how to get in.
Kirk makes up a new away team consisting of himself (I'm shocked), Spock, Bones and Sulu.

Meanwhile, Uhura is being held captive by more of those floaty robots, who seem to answer to a computer. This computer keeps yelling at Uhura.


"I'm keeping you here so your Master won't leave," it tells her.
"WTF do you mean, Master?" she asks. She and I are wearing the same face, which clearly suspects that this is one racist-fucking computer.
But then it turns out that the computer thinks the Enterprise is her Master, that she's a slave to it. It's not talking about Kirk. It calls her a dumbass - twice.
Uhura gets pissed off. "You better let me go, asshole. My friends will come looking for me, and they have zero compunctions for violating Prime Directives or killing off space buffaloes."
"Pssshh, whatever," says the computer. "Your friends are here, but I don't need more hostages, so I'm gonna turn them off."
It isn't talking about dancing around the away team in a G-string. It means that it's gonna kill them. "Turn them off" is a cutesy, colloquial computer way of talking about murder.


Kirk's Log, supplemental: "Rehash, rehash, rehash. Rehash: rehash."

Arax calls Kirk to tell him that scans say that Uhura is not on the surface. Sulu reasons that she could not have been taken off the planet, or they'd've noticed. Kirk does a bit of digging, and notices that the dirt and foliage only goes down so far, and that underneath is a crust of metal. He calls up for a phaser bore. But M'Ress calls back that his signal is growing weak, and she can't understand him. Scotty attempts to send down the phaser bore, but he is blocked from doing so. Arax says there is some kind of energy block in place.
Sulu notices some big metal thing in the trees and they go to investigate. A plaque on the metal obelisk says that it's the final resting place for the Keeper, and Spock says his scans indicate that there's a body buried down there.


The plaque also says that he was the last of his race, which is interesting because... no, he wasn't. Unless something horrible happened, and his race was obliterated in the meantime, then they're out there somewhere. You know what else is interesting? This planet was set up for use by the Keeper's people, not just anybody in a ship passing by. I don't recall the Keeper being all, "Drop in anytime!" at the end of that episode. Technically, they're trespassing.


Upstairs, Scotty has a rescue team loaded into a shuttle, but Arax reports a short in the electrical system, so they can't open the doors or launch the shuttle. Scotty declares that the planet has officially Disabled the Ship. M'Ress purrs that that doesn't really gel with the idea of a pleasure planet, but Scotty shrugs, because facts are facts. 
In the meantime, check out this sexy shuttle bay.


Downstairs, Uhura spots a button on the control panel that she could possibly use to disable the computer, but it reads her thoughts and handcuffs her instead.
On the surface, our boys are arguing the best way to find the underground lair where Uhura is most likely being held.
"What, you want like, a fucking sign to point you there?" demands Bones.
"That would sure make it easier!" barks Sulu.
"Hey!" says Spock, and they all look where he's pointing in the bushes, where a sign has just sprung up.
Kirk puts on his Admiral Ackbar mask. "It's a trap!...but we don't have any other clues, so... whatevs."
When they walk past it, the sign disappears.


They come upon a cave, but guess what? It's guarded by pterodactyls. They make a run for the cave, and are trapped inside by the flying lizards.


"The planet is playing cat and mouse with us," muses Kirk, who should have kept his fat mouth shut.


"Jerk," says Spock. "Why the hell'd you do that? You know this place will conjure up everything we think of."
"Idiot," responds Kirk. "Remember? No one was thinking of those pterodactyls, they just appeared. The planet uses us against ourselves, but it throws shit at us randomly as well."

In the underground lair, Uhura watches the cat batting in the cave on a little screen.
"Dude, what is your problem?" she demands.
"STFU," the computer replies. "I'm busy doin' stuff."

Upstairs, the ship leaves orbit very suddenly at high speed, then races back and resumes orbit.
"The fuck?" yells Scotty as Arax hits the button to set the engines on manual control.
Scotty asks M'Ress for an explanation of what happened, and after a few minutes, she says that there have been more directions for short-burst maneuvers, but they're not being carried out because Arax locked the controls down. Scotty takes a look at the maneuvers ordered, and realizes that the planet is getting a feel for the control of the ship.
ERMAGERD! Crazy-ass dramatic music! Commercial break!


Kirk's Log, supplemental: "Rehash. Stuff you already knew, unless you were distracted by someone yelling at you that cartoons rot your brains."

So our boys are trapped in a cave, and the cat is gone, but Spock suggests that they stay in the cave to gather info.
"You're high," says Bones. "What're we gonna learn in here?"
"Dumbshit, you were injured here last time, and they took you underground to fix you," Spock points out. "So what we have to do is injure someone again. The planet will take that person to the underground lair to fix them, and everybody else can follow."
Bones admits that he has a shot of something in his bag that will knock a guy out and discolor his skin for a while, making him appear worse off than he actually is. Kirk starts to volunteer, but Spock says that he is better at computers than Kirk, so Spock gets the shot.
He stumbles out of the cave and passes out on the ground.

Upstairs, M'Ress reports that communications are still out, then an alarm goes off, and artificial gravity goes. The crew begins floating on the bridge and all over the ship. This is interesting because... it shouldn't. It's not widely known, but it's still canon, that there are fail-safes in place on the E so that, should everything else fail, artificial gravity will remain. You know that was probably done so that the live-action show would never have to deal with recreating weightlessness, but it makes sense logically. If everything else goes - engines, life support, ect - and then the gravity goes as well, you're going to have a bunch of dead bodies free-floating into things, and further fucking up all of the shit. For whatever reason (probably because they can now depict it without spending a buttload of money), the gravity has failed here, and everyone is left floating.


Back on the surface, the boys watch Spock's body from the cave. They're nervous because the shot Bones gave him only lasts for five minutes or so, and they're at like four minutes and thirty-five seconds. But then some door in the rocks opens up, and one of those robots that kidnapped Uhura comes out. It grabs Spock and carries him away.


The boys run after the robot, but only Kirk is able to duck inside the rock door before it closes. Don't worry, kids. Bones and Sulu won't be bored outside - they have a two-headed dragon to play with!


You know what I kind of hate about this episode? I can't call them out on this stupid shit because we've already established that on this planet, stupid shit is the norm. Last week, I could call them out on that, because it was ridiculous what they came up with, story-wise. Here, we already know dumb things are going to happen, and can be explained away as "the planet did it." Basically, I'd like to bitch about not being able to bitch.

So Bones starts to yell at Sulu, who yells back, "Aw, hell naw! That did not come from me!"
And they bust ass away from the dragon, which breathes fire from both heads.

Down in the underground (ahhh-ah-ah), the robot sets Spock on a table and moves off to do... something. Spock gets up and Kirk, who has been following at a distance, calls to him. They duck into a side tunnel, and the robot tries to follow, but is too wide, and crashes into the walls.
Okay, seriously: why would you build an underground lair with corridors that were too narrow for your robot henchmen to fit in? What's more, why would you not make them smart enough to turn sideways to fit down said corridors? Did the head honcho computer take all of the brains for himself?


Anyway, Head Computer in Charge knows they are there, as does Uhura, because he shows her on the screen.
Kirk and Spock finally make it into the control room, where Uhura is now wrapped up tight in some kind of freaky robot bondage.


So now we'll reach the part where the bad guy monologues, and the mystery will be solved, and Fred and Shaggy will rescue Daphne, and someone, maybe Sulu, will get a Scooby Snack.

"What happened to the Keeper?" asks Kirk.
No, dumbass. We already solved that part. He died.
"Are you stupid?" asks the computer. "He got old and died."
"So then what's the deal?" demands Kirk.
"I've been here like, forever. And a bunch of sky machines would come through with their tiny hairless slaves, and I would amuse the slaves, and then they would go away," says the computer. "But this whole time I've been gaining power, and getting smarter, and now I'm smart and strong enough to leave. So I'm gonna take your sky machine and GTFO and look for more computers like me."



The engineers have told Scotty that the way into the room with the gravity control has been jammed shut, so Scotty goes down and jimmies them open. When he gets there, he see robot arms like the henchmen robots building a new computer in the place of the gravity control panel. He tries to take it out, but it shocks him.


Scotty calls the bridge to report the problem. There are two new developments here - can you spot them? That's right, Sulu is simultaneously on the surface of the planet battling a two-headed dragon, and also sitting at the con next to Arax. You know what happened there? That's Sulu's twin brother, Fred Sulu. Don't get too attached to him, as he'll be going away when Georgie is done with that dragon. 
The other thing we see here is seatbelts. Don't get attached to those, either. Even though it makes sense for them to have on all the time, seeing as how they keep falling out of their chairs, those will be gone as soon as the gravity comes back on. And then we'll never see them again. (Okay, if you want to get super-esoteric technical, they appear for the last time in a deleted scene in Star Trek: Nemesis, and the only way you're ever gonna see that is if you liked Nemesis well enough to own it, then watch the deleted scenes. Like, when the fuck is that ever gonna happen?)



Hey, kids. Can you guess what happens next? We've got a murderous, self-aware robot. If you guessed, "Kirk gives it an identity crisis," you're correct!

Kirk explains that the computer has things backward: that the people inside the ships are not the ships' slaves, but built the ships and computers, and together, they explore the galaxy. The computer is pretty sure this is bullshit, as it has noticed that computers are smarter than men.
"Nope, we each help each other," Kirk says.
"I'm tired of being a slave," the computer laments.
"There's no shame in serving someone else if you do it of your own free will," Uhura adds.
Hmmm, that's correct in essentials, but says to me pretty clearly that Uhura has never worked retail.
"You have a pretty sweet job," Uhura goes on. "You make people happy."
"Also, you get to learn from all different kinds of species who come here to relax and play," says Spock.
The computer has been slowly nodding its head this whole time, and it now agrees. "You're right. I've got an awesome set-up here. I mean, I had made it my dream to go out, see the other worlds, and maybe conquer them, but you've made me see that it's better to stay here and cater to others."


Up top, the systems are righting themselves. On the surface, the dragon slowly disappears behind a rock. And down in the underground (whoa-oh-oh), the computer agrees to let them have shore leave on the planet if they come down to talk some more to him about why they are not slaves, and why he is not one, either. Spock agrees to head up these conversations.
Kirk calls M'Ress to tell her that shore leave is back on.
"Looks like some people are already on shore leave," Spock tells Kirk. And he points to a screen that shows Bones and Sulu having a party with Alice and the White Rabbit, and the two-headed dragon, who would rather have tea and cake than eat them, because fuck you.




I was really not excited about this episode. Netflix does these TV Guide-style write-ups, which it puts under the title of each episode, and the idea of "returning to the shore leave planet" did not fill me with joy. That previous episode spent 45 of their 50 minutes building up some kind of tension, only to tell us at the very last second that they were never in any danger to begin with. This episode does a slightly better job, because we know the danger is kind of real, but we don't know to what extent. Having the computer kidnap Uhura was an okay touch, as it established that there was actually something wrong this time, and all was not as it seemed. It's rather annoying that we keep getting "computer gone awry" stories though, because we've learned by now how those are always going to end. I suppose it's not the worst thing ever. No, the worst thing ever is that screencapture of Sulu and Bones picnicking with that dragon. The best thing about this episode was that Spock headcanon, and frankly, he gave me one line, and I filled in the rest, so that's not really something I can completely count.

This is our second "return to" sequel episode of the animated series (the other being tribbles), and next week, we get a third. Hooray.

*******

Bought some more of those pitcher-sized Tazo tea bags because it's hotter than the devil's fucking kiln right now, and it makes more sense to buy pitcher-sized bags than to make a pitcher using half a box of tea bags. This week, it's "Iced Citrus Bliss" and it straight up admits on the box that it's last week's tea (passion fruit and hibiscus) with citrus added. How does it taste? Like last week's tea... with citrus added. It's got a rooibos base, which is nice, then adds rose, lemongrass, blackberry, and other fruity flavors. It's pretty good, though I think I prefer the passion fruit-hibiscus from last week. 







Sleepy Andre

























Monday, July 27, 2015

ST:TAS Season One, Episode Eight: The Magicks of Megas-Tu

"The Magicks of Megas-Tu"
Air Order: 8
Star Date: 1254.4
Original Air Date: October 7, 1973

So, do we notice anything about this week's stardate? Yeah. It takes place four years before the previous episode. It does, in fact, take place before Chekov joins the crew, which makes so much sense, because Arax is sitting in his seat. It also takes place before the first episode, "Where No Man Has Gone Before". but you want to know what the best part is? Kirk was born in the year 2233, before they began measuring time in stardates. So even though this episode takes place waaay the hell before every other episode, it still takes place in the Earth year 2324. Doesn't Kirk look fabulous for being 91?
Now, I know that they weren't really doing a close check on stardates until they hit TNG, and somebody said, "Can we please fix this stardate shit?" but at least they were mostly operating within the same years. Sometimes, they'd give us a stardate where the episodes would appear to take place months or weeks before the previous episode, but four freaking years? The stardates for previous episodes started with fives, yet they see no problem with this stardate beginning with a one.
Which helps support my theory for this episode: everyone involved with it was on drugs. Like black market LSD.
"Lady Archon, isn't all LSD technically black market?"
Yes. This market is blacker. It's like, Black Hole Market LSD.
I'm pretty sure that you could take some and watch "The Magicks of Megas-Tu" and it would be a better ride than "Fantasia."
This episode is that trippy. The people who worked on this episode were taking something even more potent than what the costume design took before working on "The Trouble with Tribbles", and let's face it, that was some quality shit.

So this week, I'm posting more screencaps, because the visuals are all over the place, and you have to see this shit to believe it.

*******


Kirk's Log, four fucking years ago: "So the Big Bang happened, right? So scientists are thinking that because the universe is expanding from that point, then we can go there to see new shit as it's being created. Cool, huh?"

Okay, right away, my twenty-first century brain is going "NO. The universe has no center." but then I'm remembering that this "lack of a center" info is relatively new science-wise, so in 1973, it's possible that they still thought that it had a center. (I spent quite a bit of time Googling this matter to see when exactly this "no center of the universe" conclusion was actually proposed, so as to determine if I could call Star Trek on it's bullshit or not, but all I could find, time after time, was a vague "sometime during the twentieth century" answer. So, it's possible it was proposed in the 27 years between the airing of this episode and the end of the twentieth century.) Either way, this basis for the plot is still more fiction than science. It's interesting science fiction, but fiction nonetheless.

So the E is going to the center of the universe to see if they can watch new matter being created. And because it's the E, they're not just going to park themselves at a safe distance to observe. Oh, no. They're going to drive through the hurricane, cuz that's more fun.
"Because this stuff is new, we may see things that we don't understand," says Spock prophetically.
"Yup," says Kirk, and he sets the ship at yellow alert.
Suddenly, the E flies into a Van Gogh painting.


So there's shit exploding all around them, and rocking the ship, and Kirk is excited because he thinks they're at the creation point. He orders them to park there. Sulu says it's taking a lot of juice to stay parked.
Now we get concentric rings in pastel rainbow colors. Let's just layer all that crap on there.

Yep, shit is still exploding behind those moving rings.

Spock starts his scientific study, and Bones barges onto the bridge.
"WTF is going on?" he demands.
"We're at the center of the universe!" replies Kirk.
Oops, looks like we've slipped into a slightly different Van Gogh.

I want to marvel at this background, but I can't. It's like an
un-ironic Ugly Christmas sweater.


And now it seems that those swirly yellow-ochre swipes are forming some kind of space storm, which starts pulling them "in." Into what, I don't know. Everybody falls out of their chairs, and Scotty calls to say that, in their trying to back out of the storm-thing, they're draining the emergency back-up power. Spock manages to move them to the eye of the storm, where it is calm. Scotty says he will start repairs.


So Bones is weirded out by this situation, but Kirk and Spock are pretty jazzed, though I suspect that Kirk is enjoying the danger aspect while Spock just wants to scan shit.
They're sitting pretty for half a second before the E glows yellow and disappears. It reappears in this swirly mass.


Little yellow pods float by in the swirly part, and Spock reads off that they aren't really in a time and space that is recognized between here and their universe. Then they notice that all of the ship's equipment has stopped working, including life support. They begin passing out on the floor, rather more quickly than one would expect. Nothing sucked the air from the ship, so they should be able to survive off of the recycled air that they are breathing for several hours before feeling the effects of CO2 poisoning.
Now a rainbow aura is flashing around the ship.


And who comes in through the viewscreen, using that wavy "underwater" filter? It's Pan, who jovially chastises humans for not being able to do anything right.
Kirk pleads for him to do something, because they can't breathe, and he says "Of course!" and waves his arms. All of the computers magically start running again under his rainbow powers.


"I'm Lucien, and we're friends!" he announces. "You should come hang out with me!"
And he waves his magical rainbow powers, and our intrepid trio reappears on the swirly surface of a planet with more of those explody things.
And this is how Kirk looks.

"Ford, you're turning into a penguin. Stop it."

I'm stone-cold sober, you guys. I feel like I should be describing this shit to a therapist.
"This is fucked up," says Kirk. "Fix it, Lucien."
"Okay," says Lucien. "I forgot that humans like to be all corporeal and shit."
Again, he waves his magic arms, and everyone has a form again.
A kid version of Lucien appears for a split second, for no other reason than to illustrate that he wants to "play." Then the group is suddenly surrounded by a forest on the edge of a city.


"This is Megas-Tu," he explains. "Our world runs on magic. You can get anything you need from a local wizard."
They watch some dude in stereotypical wizards' robes and a pointed hat create some structure from thin air for what is obviously a client standing next to him.
"That makes sense," reasons Spock. "The creation point must extend through space and time, so while our laws of physics don't work here, magic does."
"I made your ship work...with MAGIC!" announces Lucien. 
This guy digs theatrics. He's actually more annoying that way than Harry Mudd.
"You talk like you know us..." says Kirk suspiciously.
"You pretend like you don't," counters Lucien. "Okay, I'll bite."
He stoops next to a river and runs his hand through the water so that images appear. Images of fucking blue Klansmen with glowy yellow eyes. These dudes represent the Megans.


Is this episode over yet? Cuz I'm already really done.
Nope, because we haven't come to our WTF moment.
Now is the sequence where they saved a shit-ton of money on animation. We linger for a while on the Megans while Lucien talks about how each of them specializes in a certain kind of magic. Also, there are no other people in their universe. There's like, two seconds of cheap animation that shows some ghost-like Klansmen flying away from their planet, through the creation point, then he says they found Earth, and became advisers to the Terrans. Now we just get a still shot of Earth, about thirty seconds of it, while he describes his people somehow drawing on their powers from their own world and performing magic, which really shouldn't be possible if this episode is to make any sense at all. He says they were forced to leave, which he was unhappy about.



Then he says that, while all the other Megans specialized in specific kinds of magic, he did general magic instead, and was thought of as a weirdo among his own people.
Kirk is asking why they left if they liked Earth so much, when Lucien kind of flies up into the air, then jumps down again, announcing that they must leave, and should not reveal themselves. He waves his hand, and they end up back on the bridge of the E.
"WTF?" ask Scotty and Uhura, who are on the bridge as well.
"That was messed up," says Kirk. "I'm so over this."
"Why'd he ask us not to reveal ourselves?" asks Bones. "Don't they know we're here?"
"Probably not," says Scotty. "See, they have a cloud over the planet." And he points to the viewscreen, which shows a weird cloud over a planet that looks like those yucky ribbon candies that old ladies have on their coffee tables for 30 years.


In the rec room, Spock draws a freaking pentagram on the floor, then stands in it, telling Bones that it's logical for him to do magic. Then he starts addressing the universe or something, like he's running a seance.
"Power of this universe, get into my body!"
His hands glow rainbow, and a chess piece across the room moves to another square. Kirk looks like he's about to piss himself with glee.


Kirk's Log, supplemental: "Sweet, we're all wizards, Harry!"

On the bridge, Sulu concentrates with his arms out and makes some girl appear. He moves forward to make out with her, but then Lucien appears in her place and demands to know what they are doing. Sulu makes that face that teenage boys make when their moms walk in on them in the bathroom, and they have a fist full of lotion.


"We're learning magic," says Kirk.
"Naw, don't do that," says Lucien. "I'll protect you, because you're my friends. Now, you need to knock that shit off, because you're using a lot of mental power, and you'll be found out."
"Haha, too late!" comes a voice.
And then these floating demon heads from the Hell scene in Hercules come slithering onto the bridge.
"Humans have come to spread their evil in our universe, and this time, you shall paaaayyyy!"




Dramatic music! E falling in space against a weird backdrop! Things exploding around them! Lady Archon re-evaluating her life choices!



So the E splits in two (whut?) and then the "camera" is panning around an old-school Earth village that's labelled as Salem, Massachusetts, and Lucien and the whole fucking crew are in some stockades arranged around a pentagram.




You know what would make this better? The end credits, rolling right now. Then I could spend the next few paragraphs wondering why the hell the episode ended right in the middle of the story, and how weird that was. Instead, I actually have to slog through this shit to the end, and describe what actually happens, which is nowhere near as exciting and logical as the end credits rolling right now.
You know what else would make this better? Rum. Liberal amounts of rum made Legend bearable. Maybe it could do the same for "The Magicks of Megas-Tu."

So now some rotund dude comes up and proclaims himself to be Imodium, the prosecutor, and says that the E crew is on trial for being terrible, horrible no-good humans, and also, he's trying Lucien too.
"The fuck?" demands Kirk.
Yeah, Imodium, make with the exposition already.
So it seems that Lucien edited the story a bit, and when the Megans went to Earth, greedy Terrans tried to get them to use their powers for evil. When they wouldn't, the Terrans talked shit about them to others, and they were cast down. Survivors tried to live peacefully in Salem, but they fucked up, used magic, and were burned as witches.


And that, friends, is what we've been sitting through the last 16 minutes for: our WTF moment is that these aliens are the witches from the Salem Witch Trials. Also, magic is alien powers from another universe.
*sigh*
So Imodum says that the remaining Magans gathered their powers and returned to their own planet to become xenophobic, and they are now concerned that others will find Megas-Tu.
Spock volunteers to speak in defense of the humans, and he calls Lucien to the stand.
"Why do you like humans?" he asks.
"Humans are my bros," Lucien replies. "They're curious, and they want to be friends. I can relate."
"Cool," says Spock, and he calls Kirk to the stand. "Do you think humans have changed since Salem?" he asks.
"Dude, totes," says Kirk. "Well, we try, anyway. You should look at the history of our people," he tells Imodium. "It's all in our records, and you should look at the Prime Directive, which says that we don't fuck with other cultures' development."
Really, Kirk? I'd be steering him away from the E's records on the PD, if I were you.
"I've heard enough," says Imodium. He makes some records and things fly across the sky.


"These are your records, and we've miraculously looked at all of them in a split second." he looks at the crowd. "Time to vote!" And a moment later, without anyone answering, he says that they've decided that the arrival of the E was an accident, and probably won't happen again.
"You're free to go," says Imodium. "But we have to punish Lucien, so we're going to encapsulate him for eternity in this red bubble thing. And he can't talk to anyone. Permanent time-out."


"That's shitty," says Kirk. "I think that's a terrible punishment."
"You only think that because he told you his name was Lucien," says Imodium. "What if I told you his name was... Lucifer?"


"Yeah, I don't give a shit," says Kirk.
This is the correct response. Everybody on the E is fucking nauseated from that whirlwind of visual vomit in the first few scenes of this episode, then they get magic powers, only to find out that they're being hosted by Salem Witch Trial witches, who may or may not kill them. If I had had that kind of day, and it was followed with "And your new buddy is the Devil!" then I would also respond with "Fuck you, I haven't got the energy for this shit anymore."
He refuses to help Imodium and the Megans punish Lucien, so Imodium tries to capture him in a red bubble, like Kirk is some Pokemon that nobody wants. ("I choose you, SpaceHamlet!") 
So then Spock, who is confused as to which franchise he belongs to, says, "Use the Force, Luke! Believe in yourself!"
Kirk conjures the rainbow aura and shoots lightning bolts at Imodium.


But Imodium forms a magic egg around himself to protect from the lightning.



He makes fire spring up around Kirk, who puts it out by making it rain. (No, not that way.)


I can't decide if this is better or worse than a regular fight scene. Nobody's hitting each other, which is boring, but they're not really doing anything terribly interesting, despite the dramatic music insisting that they are. Kirk puts out brambles or some shit, because clearly Imodium is Sleeping Beauty -


- so Imodium throws out... Rainbow Wind!


"You're nuts!" yells Kirk over the wind. "You're just as bad as those people back in Salem, all those centuries ago!"
Then, because this episode is completely incomprehensible, Imodium throws up his palms, and there's some flashing light, and we see the E in space, in one piece again. The "camera" drops down to the surface of Megas-Tu, and we see Kirk and Spock next to Imodium. The red bubble around Lucien is fading.
"So, hey," says Imodium. "We saw in your records that you're better people now, but we had to test you to see if it was BS or not. You defended Lucien, so I guess it isn't."
"Ha, I told you they didn't suck!" crows Lucien. "You guys are welcome here whenever. Now, let's get wasted in celebration!" And he makes tankards appear in everyone's hand. Everybody drinks.


Back on the bridge, everyone watches the viewscreen as the center of the universe recedes.
"Do you think that guy was really Lucifer?" asks Bones.
"Who gives a shit?" asks Kirk.
"If he was, he was cast out twice, but you saved him the second time," says Spock.
And the episode ends there, on a high note for Kirk, because no one wants to point out that that "second casting out" would have a been a ruse perpetuated on the E crew by Lucien and his own people.



I don't feel like this episode requires much of a summing-up. Like most of the really terrible episodes of Star Trek, it feels like they took several ideas and tried to make them cohere into one story. It didn't work. There was the "center of the universe" story, which could have been its own story, but was instead used as a vehicle to get them to Megas-Tu. Then there was the ridiculous "Salem Witch Trial " bullshit, which was really just not going to work, ever. Tack on that crap about Lucien being the devil, and you have... a huge mess that makes no sense.
Go home, Star Trek. You're on drugs.

This episode was shockingly similar to: "Who Mourns for Adonais?" and "Wolf in the Fold" in that they try to convince us that famous people in Earth history are actually aliens with alien powers. While Adonais had an interesting premise, the episode was only so-so. Everything about Wolf sucked. Megas-Tu also sucked, and I'm starting to get tired of this alien-as-famous-human thing. It's also kind of similar "The Savage Curtain", where our boys meet some mytho-historical figure from Earth's past, and make buddies with him.

*******

I'm not sure if I've reviewed Tazo Tea's Iced Hibiscus before just by itself, but I know I've talked about it before, because it's the base in my favorite Starschmuck's drink, the Passion Tea Lemonade. Either way, this one comes in a box with only six bags, but they're pitcher-sized bags, so you're still getting a lot of delicious tea.
I'm gonna be straight with you, and I hate saying this because this tea is awesome, but the design of the giant tea bag leaves something to be desired. I know there are only so many ways one can make it... but the size and shape make it look a bit like a tea-filled maxi pad.
If you can get past that part, the tea is worth it. It's fruity without being heavy, and features hibiscus and passion fruit flavors. I ended up drinking the whole pitcher with a bear of honey. (Shut up, I can measure a unit of honey in bears.)






Tuna juice: the great equalizer.